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Singing Methods - Be Taught To Sing Higher

Singing Methods - Be Taught To Sing Higher

Most singing lecturers agree that both men and women have "head voice" as part of their sound. This time period applies to the way the vocal cords vibrate and work after we sing high notes. I will go into the mechanics of the vocal cords in one other article and in my programs, but for now let's just understand that two strips of membrane in our larynx (adam's apple) we call vocal cords vibrate towards each other, turning air from our lungs into sound. For decrease sounds (the chest voice) the total length or the cords is used for the action. Since higher sounds require smaller, shorter or thinner vibrations (think how a harp looks) the vocal cords must change in shape and measurement with the intention to make high notes.

As we sing higher notes our vocal cords move closer collectively and begin to do what is called the "zipper impact". Higher notes require a smaller opening for the air to go through, so a small miracle happens because the cord begin to "zip" up, leaving a smaller and smaller opening. (Think of what a clothing zipper looks like as it zips up.)

So, if you think about it, it ought to take less air pressure to sing the high notes than the low ones, and it does. For low notes there's a big opening between the cords where you possibly can pass lots of air via without plenty of stress. And the high notes require a smaller opening between the cords. This smaller opening allows less air to pass by means of without stress. When we attempt to push an excessive amount of air pressure (quantity) via the cords for higher notes we cause them to work too hard resisting the extra air. This produces an excessively-fat, amateurish sound which sounds forced and difficult.

After we sing higher we "really feel" we should work harder to get these notes out. In fact, we have to back off some, really feel the sound higher in our head, letting it thin like the higher notes of the piano or guitar.

Try singing a sweeping steady "ah" or "uh" vowel, starting at your lowest note and "sweeping" or sliding the continuous sound up to your highest notes. Discover that you're going to probably attain some extent when it appears you possibly can go no higher. Lighten your sound there and start to let it thin and really feel higher in your head. Guys, if you happen to go into the falsetto that is OK for now. Allow you to voice do what it needs to do. Girls you may probably have to move into your head voice at some point. That's ok. Just keep going, attempting not to strain.

Do this exercise usually, listening to how the higher notes feel. Are you pushing and straining, or are you just letting it sweep on up?

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